Who is todd oldham dating
And get this: Fishs Eddy will officially be selling a Bowery Boys themed item — Bowery Boys pizza topping! You can now grab an authentic slice of New York City pizza and season it with your favorite New York City history podcast.
Zoot Suit, United States, 1940–42, Los Angeles County Museum of Art, purchased with funds provided by Ellen A.
Michelson; necktie (Belly-warmer), United States, circa 1945, LACMA, gift of Stephen J. LOS ANGELES — With winter layers now moved to the back of the closet, spring season brings shorter sleeves and hemlines.
It was a ‘40s kind of movie, so they knew that it would have kind of a ‘40s, throwback look, which is now kind of ‘70s, a little dressed up.
“I think I do still have the Vivienne Westwood corseted satin number, which is good for Halloween. It was a vintage cream ‘70s suit that I wore in the library, I remember.
Among its unique treasures is the Plan a visit to the General Society to investigate its library and historical artifacts.
The building is often open for Open House New York too.
We caught up with the actress at a screening of Clouds of Sils Maria, where she explained how her character’s look came together.
“The wardrobe designer, Michael Clancy, and his assistant Vicky Bartlett — who I think is still a stylist [Editor’s note: She is, and also designs the line VPL] — they pulled a lot of things from their friends, and Todd Oldham loaned us a pair of sequined rhinestone shorts. A few things were mine, but mostly they were borrowed from other people. We all created it, but it’s fun to come up with those different looks at that time.
“It was joy to go through the archive to choose and recompile ensembles for the exhibition, and the fact that this exhibition is at one of my very favorite design schools in the world is a special thrill.” The museum is at 224 Benefit Street, Providence, R. The Coke can makes an improbable appearance on the runway: Mizrahi used an elaborate process to create these custom paillettes from real Coca-Cola cans. The Jewish Museum’s exhibition weaves together the many threads of Isaac Mizrahi’s prolific output, juxtaposing his work in fashion, film, television and the performing arts.
He worked with the charity We Can, which employed homeless New Yorkers to collect cans to recycle; these were shipped to the sequin-maker Langlois-Martin in Paris, where they were cut into paillettes that were then sent to India to be beaded onto dresses. With more than 250 clothing and costume designs, sketches, photographs and an immersive video installation, this survey exhibition explores the influential American fashion designer (born in Brooklyn in 1961), artist and entrepreneur’s position at the intersection of high style and popular culture.
While there are plenty fashion-centric shows catching our eye this year, April has set forth a particularly interesting line-up of must-see exhibitions.